Dear reader, life is too short for crap books.
Tuesday, September 09, 2008
The Past Isn't Over, It's Not Even Past: The Turnaround by George Pelecanos
The Turnaround by George Pelecanos
I suppose it's probably for the best that George Pelecanos took a break for most of the fourth season of The Wire to work on his previous novel, The Night Gardener. Heartbreaking as that season of television was, if Pelecanos had been there, it would have been emotional carnage.
This isn't to say that he was the best writer on that show (in that crowd, it's nearly impossible to pick), but in all of Pelecanos's writing, he demonstrates an almost preternatural ability to turn his characters inside out, sparing the reader nothing. It's not just the characterization, though. Pelecanos's characters exist in a moral universe that's guided by a strong sense of what it means to be good, what it means to have done wrong, and what it means to live with choices and mistakes made.
The moral crisis at the heart of The Turnaround begins on a summer night in 1972 when three white teenagers, buzzed on beer and weed, goad one another into driving through a black D.C. neighborhood. One boy shouts a racial slur, and another throws a fruit pie out the window. Unfamiliar with the neighborhood, they drive down a dead end street, where they are confronted by three black teenagers from the neighborhood.
One of the white boys runs away, another is given a beating that disfigures his face, and the third is shot in the back and killed. Two of the black teenagers are sentenced to prison terms. No one gets out unscathed.
The book moves forward 35 years, and from here, focuses mainly on two of the men involved in the incident. All charges were dropped against Raymond Monroe, a hot-headed youth who'd begun running with a bad crowd. After that night, Monroe leaves his old ways behind, and goes on to become a physical therapist at the Walter Reed Hospital. His only child is serving in Afghanistan, and helping veteran amputees learn to use their artificial limbs allows him to feel he's doing something to help, even if it doesn't help to soothe his fears for his son.
The other man is Alex Pappas, the boy who was beaten, the boy who sat in the back of the car and did nothing. His scarred face and ruined eye are the visible penance for his inaction, but Pappas lives most of his life as though he's still being punished for what happened all those years ago. He, too, had a son serve in the Middle East, but now that son is dead.
Pelecanos manages to bring the surviving characters together in a way that isn't contrived -- this isn't the sort of thing that can be resolved with a talk. Some characters are seeking oblivion and escape from the past, others want payback, and the resolution that Pappas and Monroe are looking for doesn't come easily.
Unlike Pelecanos's other books, The Turnaround isn't a crime novel in any traditional sense of the genre. There is crime, and a worthy villain, but more than anything else, the book is about the hard-won redemption of ruined lives. How things are eventually resolved is somewhat predictable, but the route there is anything but.